The Hangover (2009) -vs- American Pie (1999)

February 19, 2010 Rodney Twelftree

Boobs. Booze. Swearing. Got your attention? Sweet. It’s the return of the classic sub-genre, the Beer & Pizza Movie. That is, a movie you can only really enjoy with a group of mates, some beer, pizza, and a desire to be amused in an “adult” manner. Unapologetically wallowing in gratuitous nudity/swearing/adult themes, and generally politically incorrect, Beer & Pizza Movies are often lowbrow, tasteless cinematic buffoonery dressed up as social satire.So it is we take a long, hard look at a couple of “classic” Beer & Pizza movies, each containing their fair share of the aforementioned unmentionables. Hard to believe it’s been over a decade since Stifler drank that modified cup of beer! Both films were critical and commercial successes, but which one tops the bill as the ultimate Boys Flick? Grab a slice of day-old pizza, zip up your trousers, and read on to find out which of our combatants would win in a boozy brawl!
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An Education (2009) -vs- Say Anything (1989)

February 16, 2010 Bryce Zabel

Listen up, ‘rents. Being a father is never easy, but being the father of a teenage girl, and trying to get that one right is a true challenge. Both of these films — two decades apart in production dates and period settings — show fathers who, with the best of intentions, get it all wrong, but they get it wrong in exactly opposite ways.

You can care too little and you can care too much. When you’re in the middle of things, it’s not always so easy to see which is which. Believe me, as a father of girl who has just left her teenage years behind, these are matters I’ve thought a little bit about. I keep thinking of the famous Kenny Rogers’ song (“The Gambler,” written by Don Schlitz) that you gotta know when to hold ’em and know when to fold ’em. Like that’s easy. Still, what we have here to consider are a couple of fathers who don’t know best, not by a long shot… […]

Leap Year (2010) -vs- Youth in Revolt (2010)

January 20, 2010 Sherry Coben

Cookie cutter romantic comedy satisfies a too-easily edified audience. No matter how formulaic and tepid the sausage, the factories grind out more product to feed the gaping maw; indie films usually attract a more marginal fringe-ier crew, on the hunt for the original, the untold (or even oft-told) story told in fresh new ways. Pitting a humble little indie versus a major studio wide release makes for an inherently unfair fight and one with a foregone conclusion at the box office, but ticket sales won’t sway this Smackdown. As “Leap Year” bounds onto virtually every available screen and Quirky Indie-That-Could “Youth In Revolt” limps onto a fraction of that number, ask yourself: Is bigger necessarily better? Does conventional beat quirky?
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The Twilight Saga: New Moon (2009) -vs- Twilight (2008)

November 25, 2009 Rodney Twelftree

In the battle of the varied mythological creations, Vampires have for centuries captured the imagination of people around the world. Novels, films, theatrical productions and poorly-decorated costume shops have enjoyed success based upon their existence, proven or not. Likewise the Werewolf, natural enemy of the Vampire, whose moonlit howl still sends a tremor down the back of even the most hardened myth-lover. Bringing these two epic creatures together in one film franchise has most of the female population of our planet all in a tizz. Why? Are the men they encounter in the real world really that bad?
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Transformers: Revenge of the Fallen (2009) -vs- Transformers (2007)

June 20, 2009 Beau DeMayo

Both “Transformers” and “Transformers: Revenge of the Fallen” brim with elaborate action set-pieces, campy humor, and hyper-sexuality. Industrial Light and Magic struggles in both films to design the Transformers in such a way that we can distinguish one from the other. Whenever a fight erupts between Autobot and Decepticon, the on-screen action tumbles into a jumbled mess of flopping, indistinguishable mechanical parts. Sure, I appreciate the high level of detail, but not at the cost of coherent action scenes. “Transformers: RotF” especially suffers from ILM’s designs as Bay introduces a whole slew of new Transformers that simply blend together. It’s hard to appreciate large-scale action sequences when I can’t tell the good from the bad guys and thus, can’t tell who’s winning.
Now both films embrace Bay’s typical low-brow humor. Again, “Transformers: RotF” probably suffers most in this category. Gags like Sam’s mom lolly-gagging around on a college campus after eating pot-brownies or the dangling wrecking ball testicles on a construction Decepticon aren’t just dumb, they’re insulting to the audiences’ intelligence. “Transformers” had some corny moments, many centered around the Autobots fitting into Sam’s suburban life. However, none proved as gregarious and useless as those in Transformers: RotF” where the jokes simply exist onto themselves and are cracked in the most inappropriate moments.
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The Simpsons Movie (2007) -vs- South Park: Bigger Longer & Uncut (1999)

October 3, 2007 Lak Rana

They are the champions of modern animation — The Simpsons — and after nearly two decades on-the-air they are nearing their 500th episode. But this week belongs to the challenger — South Park — which airs its own 200th episode on Wednesday night, April 14. Both TV animation sensations have spawned exactly one feature film. Even though it came to TV on the heels of the success of “The Simpsons,” it was “South Park” that broke free from the small-screen to try its luck in the cineplexes first. Both film versions tested whether audiences would pay good money to see something they were used to getting for free. […]

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