Four years ago, John McCain named Sarah Palin, a self-proclaimed “hockey mom” as his Republican running mate and upended the 2008 election. He was looking for a game-changer to help him compete against the Democratic candidate Barack Obama. Now, the story of that move, and the blow-back from it all is a new HBO film, Game Change, from director Jay Roach who also helmed the HBO film about the tied 2000 election, Recount. […]
The list of more-than-decent films about political campaigns is a short one. Nobody will ever forget Henry Fonda and Cliff Robertson in The Best Man or even The Candidate with the Kennedy-esque Robert Redford. During the Years of Lewinsky, Primary Colors took us into the thinly-disguised 1992 Clinton campaign. Now we have The Ides of March, proudly wearing its cynicism on its sleeve at a time when Obama gets pilloried for being practical. In the most recent films, the candidates have that certain problem we mentioned earlier. (Redford is famously remembered in The Candidate as muttering, after winning, “What do we do now?”, but there’s also a quick moment of a campaign worker leaving his room in the morning earlier in the film.)
While virtually everyone in the Internet world wants to go viral, back in the real world not everyone is so big on the concept. And for good reason.
Remember how lousy you felt the last time you had the flu? Now imagine that instead of getting better, well, that was it. The End.
The medical experts at the Centers for Disease Control think about such things all the time and, for over a year back in 2005-2006, we also obsessed about how a flu epidemic would change the world.
We came to the conclusion that it would be a pretty rough ride. Rather than expressing our opinions through a strongly worded letter-to-the-editor, though, we got to have our say in a multi-million dollar four-hour television miniseries.
Now, from what we can see of the new feature film Contagion, we feel like we were ahead of our time.
Although the final produced version of our project — Hallmark’s Pandemic — can’t compared to the brilliant production elements (fueled by studio cash and budget) that Steven Soderbergh brings to his version (written by Scott Z. Burns), our take Pandemic (written by Bryce Zabel & Jackie Zabel) won the Writers Guild of America award for “Outstanding Longform Original” in 2008. This means that multiple writers read our script that year and decided that, in our category, ours was the best of the bunch. We were pretty jazzed, we can’t lie about that one. […]
Probably no one will admit to this in the future, even if it’s true, but I think confession is good for the soul.
I voted for Arnold Schwarzenegger. Twice.
Honestly, I did it because I felt that his oversize personality allowed him to stand out from the stupid party animosities that were bankrupting California in their dance of mutually assured destruction. For a while he did, and he kept trying. So there’s that.
But, of course, it’s not enough, even if you’re an Arnold fan outside of the movies. Clearly we haven’t heard the end of the story cycle and more “shockers” will dribble out, but the whole thing feels icky. At least this happened when he was out of office. You can just freaking imagine the media circus this would be if he was still up in Sacramento. […]
Smart women are as rare on film as they are in life. Rarer even. Smart high school girls might be the rarest cinematic species of all. You can count them on your two hands. Cooler and wittier than any real girl in any real high school, they’re who we wish we could have been. The girls who say what we wish we had said. Smart girls who use their smart mouths to get into (and out of) considerable trouble. The adults in these films are unspeakably cool too; perhaps this whole smart high school girl genre is for us grown-up girls (and guys) who revisit our high school hallways every night in our dreams and nightmares, still trying to dot those old i’s and cross those uncrossed t’s, to redress grievances and beat down those bullies that haunt us still.
It was Ford in a landslide. Nope, not Ford as in Gerald who lost to Jimmy Carter, but Ford as in Harrison who walked away with our Movie Smackdown presidential poll, taking 26.4% of the votes in a ten-man race.
Ford played President James Marshall in the 1997 film, “Air Force One.” Marshall has just gone to Moscow where he’s told the entire world he will not negotiate with terrorists. Then, on the flight home, Russian neo-nationalists hijack Air Force One forcing an ugly decision on Marshall: give in to terrorist demands or sacrifice not only the country’s dignity, but the lives of his wife and daughter. Well, there is one thing in his favor. He’s a military guy, a winner of the Medal of Honor, and he’s going to fight back.
Apparently we liked this version of the Marshall Plan a lot because when given ten of the top performances by an actor as a president to choose from, our Movie Smackdown voters gave a clear and convincing mandate to Harrison Ford. Here’s our results:
In the eyes of many Brits and other Europeans, Tony Blair played W’s lapdog for years, and this film presents a plausible (if a little harebrained and oversimplified) conspiracy theory in explanation. Pierce Brosnan plays the retired Prime Minister with his intellect on dimmer switch and gorgeosity and charisma on overload; it’s an effective and devastating performance and indictment. Echoes of a few other American actor/gladhanding puppethead-turned-politician types were surely no accident either. Olivia Williams plays his compelling Lady MacBeth, and Ewan MacGregor the ghost writer hired to finish the PM’s memoirs; he’s instantly and unwittingly entangled in political intrigue way over his level head. Eli Wallach delivers another terrific cameo; this guy just keeps on working and getting better with advancing age. Every time that now-ancient face appears onscreen, we’re sure it’s the last time we’ll see it, and yet he keeps coming back for more.