The latest trend in sci-fi seems to be returning to a post-apocalyptic Earth, trashed after a run-in with extraterrestrials, and still coming out on top. Both Tom Cruise with Oblivion and Will Smith with After Earth have taken a crack at it. As opposed to other apocalyptic visions from recent years, like The Road and Book of Eli, which basically say once things go south on us, we land in a shithole we’re not likely to recover from, these two new contenders in the realm of post-Earth survival manage to leap past tragic events to a time of return where the technology still works, people persevere somewhere else, and the home planet needs some serious saving.
The earth is about to be destroyed! And the devastation will be funny and entertaining to watch, at least by Hollywood standards.
In this winner-take-all battle, we’re pitting two satirical world-on-the-brink-of-destruction films against each other. The new release is Men in Black 3 (or Men in Black III, depending on whether you believe the official Sony Pictures site or IMDB), the latest offering in the popular string of sci-fi comedies. This installment features the franchise’s first time-travel plot, with our protagonist vaulting backwards by several decades in order to save his partner from being murdered and, consequently (of course) earth from being destroyed. Mars Attacks! also harkens to the past. It’s a wild, Tim Burton spoof of cheesy 1950s alien invasion movies, featuring a giant cast trying nearly in vain to defend our planet from interstellar bad guys. […]
Maybe humanity won’t be #1 on Earth forever…
We’ve been used to being at the top of the heap pretty much since we picked up some stones and started making tools. But what’s going to happen if another species — real (like apes) or artificial (like robots) — gets the same idea? Fortunately, we have a couple of cautionary tales to consider that should give us pause before we get too cavalier.
Rise of the Planet of the Apes is the prequel to the re-boot of the ’60s-’70s franchise that started it all and sets out to answer the question that has always undermined the franchise: how would apes really pull this switcheroo with humankind off? With genomes being mapped and wonder drugs being tested at record speed these days, this is a film that was just begging to be made.
Back in the mid ’00s, however, I, Robot asked a different kind of question. Sparked by the breathtaking increase in computing power keeping pace with Moore’s Law or even Ray Kurzweil’s invocation of The Singularity, that question was: how much longer before these machines we built can think faster than us and what if they become conscious? […]
Last year here at Movie Smackdown we got the idea to see what readers thought was the Best Alien Invasion Film of All Time. We thought that the genre really broke down into two sections — “Classic” and “Modern.” And so we did what we always do in these cases, we put it to our readers and let them weigh in.
We have two winners now, and we’re about to put them to the test against each other. For our purposes, we defined “Classic” as all the films that existed in the early 1950-1970 period (although all our candidates came from the 1950s), and “Modern” as everything that followed. Interestingly, fully half of our “modern” films were re-makes from the “classic” era. The “Classic” race was a close as hell, the “Modern” race yielded a clear winner. Here are our results: […]