Shame (2011) -vs- I Am a Sex Addict (2005)

December 1, 2011 Arthur Tiersky

Why aren’t there more movies about sexual addiction?

Possibly because it sounds like sort of a self-defeating topic for a film. Those in the mood for a “sex” film generally don’t want to see it paired with a downer word like “addiction” and those seeking an addiction film are perhaps more sympathetic to tangible, physical addictions such as to booze (Leaving Las Vegas), drugs (Trainspotting) or anything not nailed down (the inevitable Winning! The Charlie Sheen Story). […]

Inception (2010) -vs- The Dark Knight (2008)

July 16, 2010 Beau DeMayo

Christopher Nolan. The Dark Knight. That’s all about you need to know when it comes to how Inception has been marketed, a film whose title could easily be mistaken as “From The Director of The Dark Knight” as its actual title.

Inception and The Dark Knight are two movies that are so radically different, yet so fundamentally the same. Both films strive to do something radically different with their genres, turning the typical tropes on their heads and challenging audiences to keep up.

Now we put what many consider to already be Nolan’s masterpiece up against his newest film. Another masterpiece or just another movie? […]

Chloe (2010) -vs- Fatal Attraction (1987)

March 23, 2010 Bryce Zabel

If you’ve ever been loved by somebody too tightly, then you know how scary it could be to let someone in your life and then not know how to extricate yourself from their smothering grasp. The trick in erotic thrillers like “Chloe” and “Fatal Attraction” is execution. Too far on one side of the spectrum, they become cerebral. Too far on the other side, they become unintentionally comedic.

Although “Fatal Attraction” defined this genre back in the late 80s, it’s been re-visited over the years in films like “The Hand That Rocked the Cradle” and “Single White Female,” and now it gets brought to life again in “Chloe.” All I can say before we begin is that seeing these two back-to-back is enough to drive the average person to mandatory background checks on all potential lovers. Be afraid, be very afraid.
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Bright Star (2009) -vs- Impromptu (1991)

January 26, 2010 Sherry Coben

Ah, consumption. That most romantic and cinematic of slow fades. Think Camille. Two wildly talented love objects with fatally bad lungs compete for this particular smackdown crown. It’s Frederic Chopin versus Bright Star John Keats in a death-baiting battle of ill-fated geniuses, fighting for every breath, playing fast and loose with history, and winning lovely lady hearts as they struggle for ours. I dare you to find two more gorgeous grandees, two saintlier objects of obsession in all filmdom. Go ahead. I’ll wait here.
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