Super 8 (2011) -vs- E.T. The Extra-Terrestrial (1982)

June 10, 2011 Bryce Zabel

“Listen, guys, we got J.J. Abrams writing and directing a film about alien contact that Spielberg’s gonna help him produce. Who’s in?”

When the words were first uttered in Hollywood, there must have been a hush in the room. Now, with the sci-fi world ablaze with anticipation, Super 8 is ready for its own close-up.

In Summer 2011′s first big swing into science fiction, this Spielbergian team-up goes with a story of kids in small town America discovering something amazing. Our Challenger Super 8 is set in 1979, just a few years before the release our Defending Champion E.T. The Extra-Terrestrial. Both films involve kids getting involved with aliens, cover-ups, and military diversions and suppressions.

And even though Steven Spielberg is on the team of this latest effort, over here at the Smack, it’s still personal. Two directors slugging it out. The brash new contender in J.J. Abrams and the wise, beloved champion in Spielberg. […]

The Switch (2010) -vs- The Kids Are All Right (2010)

August 23, 2010 Sherry Coben

It had to happen. Sperm Donor Dads: The Film Genre. Only slightly ahead of the zeitgeist culture curve, two relatively charming comedies duke it out for the hotly contested Smackdown title.

Mark Ruffalo’s shaggy roue blissfully ignorant seed guy of two (that we know of) takes on Jason Bateman’s neurotic and knowing father of one.

Lesbian moms Annette Bening and Julianne Moore up the ante just a bit on the A-List class-project The Kids Are All Right, and rom-com too-regular Jennifer Aniston depreciates indie-spirited The Switch a tad.

Jason Bateman plays Wally. Jennifer Aniston plays Kassie. With a K. That’s just about the most interesting thing about her. Wally loves her. He always has. But he’s her best friend. And her clock is ticking. And it would be too awkward to have a baby with her best friend. So — here comes the movie logic — hold onto your hats. She finds a married, too-good-to-be-true stranger and coaxes him into donating a cup of his best stuff. Not awkward at all. Are you with me so far? Because I know this sounds awful. But it’s not. Stuff happens to the stuff and paternity hijinks ensue. Here’s the thing though. You care. […]

The Hangover (2009) -vs- American Pie (1999)

February 19, 2010 Rodney Twelftree

Boobs. Booze. Swearing. Got your attention? Sweet. It’s the return of the classic sub-genre, the Beer & Pizza Movie. That is, a movie you can only really enjoy with a group of mates, some beer, pizza, and a desire to be amused in an “adult” manner. Unapologetically wallowing in gratuitous nudity/swearing/adult themes, and generally politically incorrect, Beer & Pizza Movies are often lowbrow, tasteless cinematic buffoonery dressed up as social satire.So it is we take a long, hard look at a couple of “classic” Beer & Pizza movies, each containing their fair share of the aforementioned unmentionables. Hard to believe it’s been over a decade since Stifler drank that modified cup of beer! Both films were critical and commercial successes, but which one tops the bill as the ultimate Boys Flick? Grab a slice of day-old pizza, zip up your trousers, and read on to find out which of our combatants would win in a boozy brawl!
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Leap Year (2010) -vs- Youth in Revolt (2010)

January 20, 2010 Sherry Coben

Cookie cutter romantic comedy satisfies a too-easily edified audience. No matter how formulaic and tepid the sausage, the factories grind out more product to feed the gaping maw; indie films usually attract a more marginal fringe-ier crew, on the hunt for the original, the untold (or even oft-told) story told in fresh new ways. Pitting a humble little indie versus a major studio wide release makes for an inherently unfair fight and one with a foregone conclusion at the box office, but ticket sales won’t sway this Smackdown. As “Leap Year” bounds onto virtually every available screen and Quirky Indie-That-Could “Youth In Revolt” limps onto a fraction of that number, ask yourself: Is bigger necessarily better? Does conventional beat quirky?
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