It wasn’t so long ago that Ben Affleck was among the easiest punchlines in Hollywood: A wooden, one-note actor with horrendous taste in projects, a consistent provider of gossip fodder, and the co-winner of a screenwriting Oscar that few believed he actually deserved. But then, in 2007, he made the second-wisest move of his career (just behind ditching J-Lo and settling down with J-Garn): He turned his focus to further developing his behind-the-camera talents, choosing Gone Baby Gone, a twisty, noirish mystery based on a novel about a specious kidnapping, for his directorial debut (and opting to leave the acting chores in the film to his younger, squirrelly brother, Casey). […]
You fell in love with her in The Descendants (2011), and then you blinked, and suddenly Shailene Woodley was everywhere.
Just in the past nine months alone, she’s been in two horribly titled romances made from best-selling young-adult novels, both adapted, in fact, by the same writing team, best known for previous Smackdown challenger (500) Days of Summer starring Joseph Gordon-Levitt, who was also the star of 50/50, which shares a theme with…
Well, I’m getting ahead of myself. So let’s get on with this week’s bout, as we pit last fall’s The Spectacular Now against current release The Fault in Our Stars. Because if Movie Smackdown didn’t do it, who Woodley?