Both movies are all about overcoming the odds and a parent’s love that allows them to suffer anything to help their children. In “Extraordinary Measures,” this involves the Internet but “Lorenzo’s Oil” takes place in the world before all the answers were at your fingertips and, initially, it seems like a tougher problem. God knows it’s hard for an average guy to find venture capital and start a company but it’s not quite the level of problem as actually becoming a scientist and curing a disease. So, in set-up, “Lorenzo’s Oil” has more obstacles but it’s also way more daring with the characters. Although there are characters in “Extraordinary Measures” who aren’t saints (notably, the prickly scientist played by Ford), the parents sure are. “Lorenzo’s Oil,” in contrast, is daring enough to suggest that in this war to save a child that both parents become sort of, well, unlikeable because the stakes are too high to care about being nice. It’s a bold choice. Both films try to strike a balance in not stereotyping the medical establishment as unfeeling money-grubbers and to see them as scientists who are trying to solve a problem by being unbiased in their approach, something that a desperate parents can never really be.
We just couldn’t pass up this visual Smack on one of TV’s new trends, publicity stills that use the theme of “The Last Supper.” The latest to try this is ABC, promoting its final season of “Lost” but we’ve also seen Sci-Fi (SyFy) try it with the last pass at “Battlestar Galactica” and HBO in its first season (we think) with “The Sopranos.” If you click on the montage below, you can look at it in much fuller resolution. […]
Two years ago, we asked ten of our SmackRefs to each recommend a Christmas film that they have a special fondness for, something that can stand the test of repeat viewing. That poll turned out to be a squeaker with an unexpected winner when the nostalgia-rama “A Christmas Story” edged out traditional favorite “It’s A Wonderful Life” with a strong third place by the relatively new “Love Actually.”
Broken couples going to island paradises to repair their damaged relationships, or try to, ought to be funny. Sex, sun, surf, drinking, dancing, music. And in the case of both of these films, throw in actress Kristen Bell and you should have a real party. Well, youâ€™re half right.
One of these films (either Couples Retreat or the previous yearâ€™s Forgetting Sarah Marshall) is an honest-to-God attempt to make a film that just happened to shoot mostly in a tropical paradise. The other is a film that looks like it had the same party-energy behind it as an old Burt Reynolds buddy-fest where the main goal is to go someplace fun, shoot a film and stay up nights getting crazy and drinking too much. Which is to say that one of them works and the other doesnâ€™t.
Roller derby is just one level up from the fake world of professional wrestling, but it’s still a real world. “Kansas City Bomber” isn’t as slick as its competition here, but it feels more real. Do teams really exist in Austin, Texas the way “Whip It” says? Probably not. Ellen Page is good as always, but she feels slight and miscast, seeming like someone who wouldn’t make it five minutes in the world of Raquel’s sport. And, speaking of Raquel, it’s the role of her career. She’s athletic, sexy, aggressive. Before you dismiss it, the uniforms in “Whip It” are far more teasing than anything in “Kansas City Bomber.” When it comes to physical action, it’s done better in “Kansas City Bomber.” Actresses in both films learned to skate, but it was Raquel who played it hard and rough, doing most of her own stunts and breaking her wrist in the process. On the other hand, “Whip It” has Kristen Wiig playing the Raquel single-mom role and she’s awesome.