Magic. Now there’s a subject that, over the years, hasn’t gotten a great deal of cinematic attention. Reason being, one surmises, that magic acts need the immediacy of live (or at least taped live) performance to preserve their thrill… and if we’re being honest here, most of them don’t have that much thrill to preserve in the first place. So wouldn’t you know it, after humming along for so many years all but magic-free, in 2006, Hollywood not only coughs up two magic-themed movies within weeks of each other but two turn-of-the-century Europe magic-themed movies. (Now that’s a Smackdown!) […]
My generation has been whining for years about our childhoods being collectively over, in light of the end of the Harry Potter series, the death of the creators of The Berenstain Bears, and countless other life-passages coming to a close. It’s good to know, with the theatrical release this weekend of Dr. Seuss’ The Lorax, that something important from our childhoods—and previous generations of childhoods—has survived and is still going strong. Though the good doctor himself, Theodor Geisel, has passed on, his legacy is still alive, well, and ready to be tested in Smackville.
If you want to get technical here, The Lorax should be the reigning champion, because his original movie debuted in 1972. However, he then went into a long hibernation, vacating his title. Now, the one who speaks for the trees has made a comeback, but times have changed. In the realm of computer-generated Seuss, the reigning king is Horton Hears A Who. Horton meant what he said and said what he meant, so when he says he’s coming for the guardian of the forest, The Once-ler chopping down trees for thneeds should be the last of The Lorax’s worries. […]