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If You Put a Smack and a Mashup in an Atom Collider…

September 13, 2011 Movie Smackdown 1

The SmashUps! are a collaboration between Smackdown guru and iMovie addict Bryce Zabel, who writes and produces them, and myself. I voice them and add what Bryce calls “the cool, weird stuff.” (I think that’s a compliment, but you never know with Bryce.)

So, please, take a look at our latest, the one that came from sticking the upcoming Real Steel in that particle acceler-o-meter or atomic whatsis with the classic Rocky film that won the Academy Award back in 1976. Given that our site has a couple of awards statues boxing each other in its banner, this one hits pretty close to home. This is its world premiere but, because it’s virtual, we don’t have to provide the hor d’oevres which, in this economy, means a lot. […]

Apollo 18 (2011) -vs- Apollo 13 (1995)

September 1, 2011 Bryce Zabel 3

Probably the only good way to look at NASA these days is in the rear-view mirror of past accomplishments, given that the agency seems to have lost its way. After all, it’s ended the manned space missions of the Space Shuttle program with no clear replacement in site. There is no grand new mission, like going to Mars, just the past-tense glory days of going to the Moon.

But before we get too nostalgic here, we have a Smackdown to remind us that space is not always a triumph. Sometimes that cold vacuum of nothing can force a human to look straight in the eye of death. And, as Elton John reminded us in Rocket Man, “It’s lonely out in space.”

The new Apollo 18 is a fictional story about a manned space mission to the moon that you never heard about. NASA officially pulled the plug on Apollo after 17 missions. So this one is right out there in conspiracy theory heaven. And the other film, Apollo 13, is about the NASA’s greatest near miss with disaster that could easily have landed the astronauts involved into the history books with the crews of the Challenger and Columbia or the doomed Apollo 1 mission. […]

Rise of the Planet of the Apes (2011) -vs- I, Robot (2004)

August 5, 2011 Bryce Zabel 4

Maybe humanity won’t be #1 on Earth forever…

We’ve been used to being at the top of the heap pretty much since we picked up some stones and started making tools. But what’s going to happen if another species — real (like apes) or artificial (like robots) — gets the same idea? Fortunately, we have a couple of cautionary tales to consider that should give us pause before we get too cavalier.

Rise of the Planet of the Apes is the prequel to the re-boot of the ’60s-’70s franchise that started it all and sets out to answer the question that has always undermined the franchise: how would apes really pull this switcheroo with humankind off? With genomes being mapped and wonder drugs being tested at record speed these days, this is a film that was just begging to be made.

Back in the mid ’00s, however, I, Robot asked a different kind of question. Sparked by the breathtaking increase in computing power keeping pace with Moore’s Law or even Ray Kurzweil’s invocation of The Singularity, that question was: how much longer before these machines we built can think faster than us and what if they become conscious? […]

Walton Goggins Talks Smack

July 30, 2011 Eric Estrin 1

It’s been a big summer for Walton Goggins. Aside from hitting the big screen this weekend with a memorable role in Cowboys & Aliens, the thoughtful, literate Southerner with the deep-set green eyes and electro-shock haircut picked up his first Emmy nomination for supporting actor on television’s Justified, after not getting similarly deserved recognition in seven years on The Shield. In addition, he filmed a part in the independent drama Officer Down, has been promoting his work in Rod Lurie’s Straw Dogs remake which is due in theaters Sept. 16, and has begun filming on Lincoln, the Steven Spielberg-directed biopic in which he has a key supporting role.

Movie Smackdown! editor Eric Estrin caught up with Goggins recently in the actor’s Hollywood home and asked about the experience of filming an old-fashioned Western mashed up with an edgy, extra-terrestrial thriller.* […]

SmackSneak: Damn Dirty Humans

July 26, 2011 Bryce Zabel 0

Maybe humanity won’t be #1 on Earth forever…

We’ve been used to being at the top of the heap pretty much since we picked up some stones and started making tools. But what’s going to happen if another species — real (like apes) or artificial (like robots) gets the same idea? Fortunately, we have a couple of cautionary tales to consider that should give us pause before we get too cavalier.

Our Smackdown Challenger Rise of the Planet of the Apes promises to be a straight-ahead origin story that fully sets out how the apes supplant humanity in the future. Set in present day San Francisco, the film blends science fiction with science fact, giving us James Franco in the lead as a genius whose experiments with genetic engineering lead to the development of intelligence in apes and the onset of a war for supremacy. Sounds and looks awesome. For anyone who has seen the CG image of the ape in those posters, it does a truly amazing job of suggesting a very creepy beginning of intelligence.

Then in the ’00s there was iRobot, our Defending Champion in this Smackdown. Semi-based on Isaac Asimov’s short-story collection of the same name, it starred Will Smith in a story that takes place in the year 2035 in Chicago where robots are ubiquitous, used primarily as servants and in public service capacities. They’re supposed to be safe, being designed in accordance with the Three Laws of Robotics but, of course, they get other ideas. It made $347 million worldwide, so you could say it was popular. […]

Remembering G.D. Spradlin

July 25, 2011 Bryce Zabel 1

You probably knew G.D. Spradlin best as Senator Pat Geary from The Godfather, Part II, where he played the corrupt politician blackmailed by by Michael Corleone after he wakes up and finds himself drenched in a dead prostitute’s blood.

I knew him as Elliot P. Grantham, the Idaho farmer who was Patient Zero, the first official victim of the alien Hive’s infestation in the NBC series Dark Skies.

My co-creator Brent Friedman and I knew we’d gotten lucky in casting. Who didn’t cringe a little in The Godfather, Part II when Spradlin’s Senator Geary treats Michael Corleone with contempt early in the film? You knew it wouldn’t go well. We had gotten lucky early on by offering a series lead role to J.T. Walsh to play Frank Bach and he said yes. We tried again with Spradlin, wondering if he would find the part too small or, given the alien angle, too silly. But he said yes, too. We were thrilled. As it turned out, Dark Skies was the last television he ever did and the second to last acting job (he also appeared in the feature film, Dick). […]

RESULTS! The SmackPoll: Comic-Con Superhero Edition

July 24, 2011 Movie Smackdown 0

THE RESULTS ARE IN. All the fighters have entered the ring now in this “Summer of Smackdown!” With the release of Captain America this weekend, the battle for blockbuster superiority is now in full swing. So far Thor has dropped the hammer on the competition, taking in over $446M since its international release.

From the beginning, we’ve had our SmackPoll up, asking our readers which film they think will go down as the best super-hero film of the summer. No, it’s not scientific, nor even a real fair fight given the staggered release dates, but it is kind of surprising. As of today, the film that just was released Captain America: The First Avenger is in first place, followed by Thor, followed by X-Men: First Class and it’s DC’s Green Lantern at the back of the pack.

The poll will stay open until the end of Comic-Con on Sunday at 5:00pm PST. If you’re in attendance, or following things on the Internet, pass the poll around to your friends and, now that Captain America is out, let’s see if he can hang on to his lead. […]

Battle: Los Angeles (2011) -vs- Transformers (2007) -vs- War of the Worlds (2005) -vs- Independence Day (1996)

June 1, 2011 Bryce Zabel 12

There are alien invasions and then there are alien invasions.

This Smack is about the ones where the aliens swoop in, lasers blazing, hell-bent on some balls-to-the-wall human ass-kicking. No demands, no negotiations, just straight-ahead mayhem where the Earth is torn up with no regard whatsoever. It’s as if they’re treating our planet like a condemned building that just needs to knocked down as fast as possible so the new construction can get started. I know some folks think we’re already doing that ourselves but let’s skip the politics and just define this as apocalyptical visitation.
[…]

Fast Five (2011) -vs- The Fast and the Furious (2001)

April 30, 2011 Mark Sanchez 4

More than a few film franchises seem like a trip to the drive-up burger joints: the payoff is predictable, not always very nourishing, but the experience can be fun, and you won’t leave hungry.

That recipe worked perfectly for The Fast and the Furious in 2001. The film didn’t promise steak, just a lot of sizzle, which clearly satisfied a broad segment of moviegoers. This motorized morality play (of a sort) mixes brooding, inarticulate characters tied to a supremely implausible story sprinkled with lots of attractive women and fast cars.

This menu spawned a series of films that grossed nearly a billion dollars worldwide. So, of course, Fast Five just opened. It expects to do large business because it does not stray far from the basic formula. […]

Valentine’s Day: It’s As Bad As They Say It Is

February 14, 2010 Bryce Zabel 4

What a waste of film stock.

That thought kept running through my brain over-and-over while watching all 117 excruciating minutes of this god-awful film that will end up earning $66-million over the four-day holiday. I don’t care. It could make $66-billion and it would still be one of the biggest disappointments that’s hit the theaters in the last 25 years. If you haven’t seen it, please don’t. It will only encourage them to do this to us again.

It’s just tone-deaf. Even though Katherine Fugate gets the screenwriting credit and must share the blame, watching the film’s directing choices leads to the strong conclusion that director Garry Marshall is mostly responsible. I’m betting he came up with or forced Fugate to put in some of the film’s most hideous moments. It’s his out-of-touch sensibility that infuses every frame with such a stunning lack of authenticity. Some people say the structure and even some of the details try to rip off “Love Actually” but this film should be so lucky as to have stolen something from Richard Curtis’s masterpiece. […]

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