Priest (2011) -vs- The Book of Eli (2010)

May 15, 2011 Mark Sanchez

A Western is a Western, even if there are no trusty horses, Native Americans, brave pioneers, land barons or cowboy hats (or even cowboys).

These days we regularly construct our western mythology out of the apocalypse, looking to the dismal future and not the hardscrabble past.

Both our combatants today share a common set up: Catastrophe strikes. Society falls apart. The fight begins for the remaining pieces. This formula usually includes A Brooding Outsider and Someone in Distress. When you add monsters / mutants you have the rough outline of recent popular movies like I Am Legend, The Road, even The Road Warrior from 1982. The list is longer, but you see where I’m going.

What we have now is the hybrid genre of the Apoca-Western. This sturdy form is identifiable with or without those horses and a strong silent hero because it still showcases the sense of honor, justice and redemption that motivated John Wayne as the Ringo Kid in Stagecoach (1939) and Clint Eastwood’s Bill Munny in The Unforgiven (1992). Those characters could just as easily lived in the world of the Undead as the actual living.

While there are no OK Corrals in The Priest or the Book of Eli, good still stands up to evil in every incarnation. Let’s see how they stand up to each other. […]

Legion (2010) -vs- Daybreakers (2010)

January 25, 2010 Mark Sanchez

“Legion,” just out, calls out the forces of heaven; in “Daybreakers,” the irresistible force comes from another place. Both strain story logic and borrow from better movies but sputter out the same question: Humans, how do you want to die?
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The Twilight Saga: New Moon (2009) -vs- Twilight (2008)

November 25, 2009 Rodney Twelftree

In the battle of the varied mythological creations, Vampires have for centuries captured the imagination of people around the world. Novels, films, theatrical productions and poorly-decorated costume shops have enjoyed success based upon their existence, proven or not. Likewise the Werewolf, natural enemy of the Vampire, whose moonlit howl still sends a tremor down the back of even the most hardened myth-lover. Bringing these two epic creatures together in one film franchise has most of the female population of our planet all in a tizz. Why? Are the men they encounter in the real world really that bad?
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