Angels & Demons (2009) -vs- The Da Vinci Code (2006)
Both films serve up clues in much the same way those police procedural shows unpeel that onion on TV: One piece exposing another and another. This imposes a certain predictability to the storytelling structure, if not the outcome.
That convention doesn’t help “The Da Vinci Code” very much, although it tries very hard. The story plunges into arcane church history, obscure alliances, shady characters and wide ranging speculation. This movie desperately needed to ratchet back the mystery because it hampered the storytelling pace. Director Howard handles this gamely, even creatively, but his bench lets him down. Tom Hanks and Audrey Tautou have their moments, but too often they are wooden together. So is the dialog. In spots the lifeless speechifying makes Hanks, a two time Academy Award winner, sound like he’s in “Plan 9 from Outer Space.”
Winning performances by McKellen, Bettany and Jean Reno as an obsessed police captain raise the interest level. So does the buzz surrounding “The Da Vinci Code” outside the theater.