If we’ve learned anything over the years from movies about journalists, reporters and TV newspeople, it’s that theirs is a world of ethical and psychological pitfalls. One day, you’re an upstanding citizen doing your job, investigating and helping keep the public apprised of current events, and then, suddenly you’re Kirk Douglas in Ace in the Hole (1951), deliberately manipulating your story to create and prolong the media circus surrounding it. Or you’re Philip Seymour Hoffman in Capote (2005), befriending a convicted murderer but privately rooting for his execution. Or you’re Johnny Depp in Fear and Loathing in Las Vegas (1998), ingesting so many intoxicants that you miss the story entirely. Or you’re Hayden Christensen in Shattered Glass (2003) and just flat out making shit up. […]
If one superpowered superhero can fuel a super-blockbuster (Spider-Man, Hulk, Thor, Batman, Superman, Captain America), just imagine what a half-dozen of them in the same movie can do.
A few years ago, Marvel Studios did just that. After giving movie-length origin stories to its key players, Marvel now brings all their power-hitters together into the ultimate superhero combo group — The Avengers. Imagine this group fighting not just evil but each other for screen time: Captain America, Thor, the Hulk, Iron Man and a couple of second tier-types, the token hottie, Black Widow, and Hawkeye, the guy with the bow and some very fancy arrows. […]