Oscar Archives - Page 3 of 3 - Movie SmackdownÂ®

(500) Days of Summer (2009) -vs- Annie Hall (1977)

July 31, 2009 Jackie Zabel 9

(500) Days of Summer takes many of its cues from a certain New York filmmaker, making it similar to a pivotal movie in the entire rom-com genre, Woody Allenâ€™s Annie Hall. Maybe that’s what got the screenplay nominated this year by the Writers Guild of America.

What unites both films here is their exploration of male feelings. Yes — guy feelings — and not just lust. Both men have a desire to connect with a woman that goes beyond plugging into a sexual electric socket (although both celebrate first plug-ins, as it were), but really these guys want a relationship based also on meeting emotional needs as well as their romantic visions of love.

Here’s the Smackdown question: Has Annie Hall aged well enough to still hold onto its crown, or is it just an aging fighter, great in its day, but no match for the moves of a younger, better-trained opponent? Let’s go to the movies and find-out… […]

Mad Men (2009-2007) -vs- Revolutionary Road (2008)

June 13, 2009 Mark Sanchez 1

In the age of instant communication, instant gratification looking back 50 years seems like a trip in the way-back machine. Many of us remember this as the time our parents scrambled to attain a level of security described by the catchall American Dream.
We tie this period before the Cuban Missile Crisis to hula hoops, fallout shelters, drive-in movies, TV dinners and American Bandstand. This was a time when people in the background –mostly men– worked overtime branding these cultural signposts as passports to the good life. This period matters. It directed the shape of many of our lives.
[…]

Slumdog Millionaire (2008) -vs- The Kite Runner (2007)

December 27, 2008 Bryce Zabel 7

Childhood friendships can last a lifetime and have profound consequences. Both Slumdog Millionaire and The Kite Runner tell sweeping stories in the lives of two boys — a set of brothers in the former and a set of friends who act like brothers in the latter. They use narratives that cut back-and-forth across time, forcing them to use multiple sets of actors to portray their characters as boys turn to men. The contemporary story lines are deepened by the children’s experiences we see in flashback. Both films started as novels, force viewers (English-speaking ones anyway) to read a few subtitles and share settings — India and Afghanistan — that have been scarred by terrorism as deeply as the United States. And even though Slumdog Millionaire is assured of a “Best Picture” Oscar nomination this year (and currently, is the odds-on favorite to win), it’s still going to have to hold off The Kite Runner to win this Smackdown… […]

The Curious Case of Benjamin Button -vs- Forrest Gump

The Curious Case of Benjamin Button (2008) -vs- Forrest Gump (1994)

December 25, 2008 Bryce Zabel 3

When “Forrest Gump” hit the theaters in 1994, it was a pure original: nothing quite like it had come before. Tom Hanks got the title role and basically hit it out of the park playing a man-child with an IQ of 75 who manages to be involved in every major happening in America between the 1950s and the 1980s. As directed by Robert Zemeckis, the film manages to move forward relentlessly in its narrative scope and, before it’s over, Tom Hanks has taught Elvis, made JFK laugh, been a hero in Vietnam, opened up China with his ping-pong skills, run across America and had a girlfriend die of AIDS. The bases are covered every which way but it’s Hanks’s dignified, down-to-Earth performance that sets it totally apart. It might be a comedy or a drama, I’m not really sure.
[…]

Godfather (1972) -vs- Godfather, Part II (1974)

40th Anniversary Smack: The Godfather (1972) -vs- The Godfather, Part II (1974)

October 26, 2008 Bryce Zabel 14

By now it’s all become a part of our collective cultural memory — the horse’s head showing up in the bed, the making of an offer that can’t be refused, and that haunting score by Nino Rota. What some don’t remember, after all the plotting, double-dealing and bloodshed, is that The Godfather, released four decades ago back in 1972, was one of the great family dramas ever filmed. And not just crime family either. The dynamics of the Corleone clan would be worthy of study in advanced courses in psychology, not to mention undertaking.

What is most astonishing about The Godfather, which won Oscars for best picture, lead actor (Marlon Brando) and screenplay adaptation (Mario Puzo, Francis Ford Coppola), is that two years later The Godfather, Part II topped it with another slew of Academy Awards, including best picture. Coppola, who won that year for director and earned another statue with Puzo for adaptation, delved even deeper into the family story, setting up a multi-generational saga as deep and satisfying as anything in modern literature.

All of this pretty much qualifies the second film as the unquestioned best sequel of all time. And, of course, it triggers a Smackdown to find out which of these two extraordinary films is the best. […]

« 1 2 3