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Tag Archives: nuclear war
We men have a default for action. So when the apocalypse arrives, we don’t plan on hunkering down, or trying to plant new crops.
No, we will hit the road, even if we don’t know where we’re going and, believe me, we’re not asking directions. For us, the idea is to keep moving.
My own personal take on the apocalypse is that it won’t be awesome, and it won’t be like a movie. It will be grimy, and personal hygiene will suffer, but the reason it’s called the apocalypse is that life will get cruel, short, and random, leaving precious few lines of witty dialogue to speak, or elegantly-staged action sequences to unfold. Continue reading
Based on Cormac McCarthy’s novel of the same name, “The Road” doesn’t even bother to really tell you what happened. All we know is that at 1:17am one morning, the sky lights up (bombs, asteroids?) and that’s all she wrote. This is the telling of two characters really, The Man (Viggo Mortenson) and the Boy (Kodi Smit-McPhee), who are trying to walk their way to the coast, close to a decade after that Minute When Everything Changed. Things are bad all over. Most everyone is dead now, food is all but gone, the animals have died, too, same with the plants. The closest thing to civilization are bands of brutal survivalists and the most common form of human nature being expressed is cannibalism. Why distributors decided to release this film on Thanksgiving Day may go down as one of the most inexplicable calls in movie history. The book has legions of fans and I first experienced it as an audiobook which I listened to on a daily walk through our local green belt. I think of this film in the rhythm of walking but it gets in your head and the day after Thanksgiving Day I simply had to see it at the only local theater playing it.
People trapped inside the cold steel of big machines. Check.
Ticking clocks relentlessly counting down to disaster. Check.
Battles of will between A-list actors. Check again.
Director Tony Scott must have known he had a good thing in 1995′s Crimson Tide and was looking to repeat it with this year’s re-make of the classic The Taking of Pelham 123. As far as action directors go, Scott (brother of Ridley) is in the very elite. He makes movies that are almost always worth the price of a ticket at the cineplex. The best are tense, scary, hard-edged ones where his screenwriters give him high stakes and the dialogue to support them (often for Denzel Washington) and then he paces the hell out of the film itself. We have a real fight on our hands with some Scott-on-Scott violence. Continue reading