What will be the water cooler topic of the coming years? If you work in my office, then Fantasy Football is, as always, the obvious answer. (Seriously, people, if it’s such a great sport, why do you need to gin it up with fantasies? But I digress.) In terms of episodic TV, the pickings are growing steadily slimmer, with Breaking Bad a brilliant but fading memory, Mad Men with but a half-season remaining, and Game of Thrones already starting to show its age, with many disappointed by this past season and (quite justifiably) concerned about the coming Hodor-less one. […]
As the anniversary of the release of Philadelphia approaches, let’s take a moment to consider just what the apparent requirements were for a major studio to be bold enough to make a movie about homosexuality and AIDS back in 1993:
Both leads had to be played by huge stars, and the villain played by one of our most beloved character actors. The director had to have come off an enormous smash that had just swept the Oscars. The opening theme song had to be supplied by the ultimate blue-collar, all-American pop star. The protagonist could be gay, but only if counter-balanced by the other lead being a raging homophobe, and the protagonist and his lover (played by an international star himself) could not only never be seen in bed together, but could never be seen sharing more than a chaste slow-dance.
So admittedly, as envelope-pushing on this topic goes, Philadelphia may not be viewed on the level of, say, Brokeback Mountain (2005), but it’s entirely fair to say that Philadelphia made Brokeback Mountain possible, as well as the current release, Dallas Buyers Club. So what better way for the newborn to pay tribute to its spiritual grandfather than to throw them into the ring for a face-off?