Can Barnabas suck the blood out of Buffy or can this tough vamp of a fighter slay the hell out of this unchained vampire? While that alone might be enough of a question to guide a Smackdown, this one gets complicated by history.
Dark Shadows, as people over fifty know, began as TV then became a film. Buffy the Vampire Slayer, as people under thirty know, began as a film and became a TV series. The former, in theaters now, is a derivation of its former glory, while the latter is an inspired evolution of its big-screen glory. […]
The idea seemed outrageous. Around the turn of the century, Disney & Co. decided to translate one of its most iconic theme park rides into a film. About pirates. Seriously.
It’s not like pirates were all the rage at the time. A good pirate movie hadn’t been made since, well… Ever? Look, I never was one to get lost in the swashbuckling days of yesteryear with Errol Flynn. In my lifetime, I couldn’t remember a single good pirate movie.
Sure, pirates popped up in other films (The Princess Bride, Hook, etc.) but pirate movies weren’t popular. Think of the awful The Pirate Movie (1982), loosely based on Gilbert and Sullivan’s comic opera The Pirates of Penzance. Or how about the horrible Geena Davis vehicle Cutthroat Island (1995) that bankrupted Carolco Pictures?
The point I’m making here is that Disney’s decision to create a movie based on its Pirates of the Caribbean ride was one of those decisions that could either be called mad genius or visionary. When Pirates of the Caribbean: The Curse of the Black Pearl debuted in 2003, no one expected it would launch a box office powerhouse and a franchise that would be pumping out sequels for the next decade. […]