Contact (1997) -vs- Close Encounters of the Third Kind (1977 | 1980 | 1998)

June 20, 2009 Bryce Zabel

If you’re old enough to remember the marketing campaign for “Close Encounters of the Third Kind,” then you’ll remember the goosebumps you got when you heard the phrase, We are not alone. What was great about that simple sentence was that it promised a movie about aliens that was about wonder and mystery and wasn’t about the same old Hollywood treatment of life in the universe, namely that if it bothered to interact with humans it was for a nefarious reason, like “Independence Day” and “War of the Worlds.” Twenty years after “CE3” came another film that promised to make first contact a matter of humanity’s growth out of the cradle and not some intergalactic cage match. Both “CE3” and “Contact” were aliens for smart people brought to you first by the immense talent of Steven Spielberg and later by the immense intellect of Carl Sagan. In my Hollywood career, I’ve had the good fortune to discuss UFOs and extraterrestrial life with both of these men and found them to have some very different visions of the subject. They each have used film to express their views about life as it might exist “out there.” The question is, which version comes closest to what might be the truth about first contact, and which one is the better film?
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Invasion (2007) -vs- Invasion of the Body Snatchers (1956)

August 28, 2007 Mark Sanchez

Nothing persists like a good idea. Its power and elegance hold up no matter how it is reinterpreted in movie sequels, prequels and remakes. “Invasion of the Body Snatchers” became a surprise science fiction hit in 1956 and remains a popular model for imitation. You can trace elements of the basic storyline on film and TV today: Bad things happen when you fall asleep. This sturdy premise spawned well-made remakes in 1978 and 1994. Now, a new version of Jack Finney’s tale of alien takeover steps up, “Invasion.” This remake arrives with plenty of drama behind the camera. It offers an otherworldly Smackdown: Does “Invasion” snatch a good idea from the original movie, or lose its identity?
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