- 42 (2013) vs. Remember the Titans (2000)
- Admission (2013) vs. About a Boy (2002)
- Oz the Great and Powerful (2012) vs. The NeverEnding Story (1984)
- Dark Skies (2013) vs. Dark Skies (1996)
- Oscar Wrap-Up 2013
- A Good Day to Die Hard (2013) vs. Indiana Jones and the Last Crusade (1989)
- Oscar Smack-a-thon!
- The Tiersky Top Ten, 2012
- Smackdown Smacks Down the 2013 Oscar Nominees
- Broken City (2013) vs. City Hall (1996)
- Men of Steel (Smackdown’s Superman Smashup)
- Les Miserables (2012) vs. The Fugitive (1993)
- baby showers on The Day The Earth Stood Still (2008) -vs- The Day The Earth Stood Still (1951)
- virility ex trial samples on Without Limits (1998) -vs- Prefontaine (1997)
- polo factory store on Wreck-it Ralph (2012) vs. Toy Story (1995)
- courtney on Brave (2012) -vs- Mulan (1998)
- Elvin Hence on POTC: On Stranger Tides (2011) -vs- POTC: The Curse of the Black Pearl (2003)
- All Natural Male Enlargement on Without Limits (1998) -vs- Prefontaine (1997)
- Edward on The Thing (2011) -vs- The Thing (1982)
- http://thoughts.blewblew.com/ on Without Limits (1998) -vs- Prefontaine (1997)
- male enhancement system on Without Limits (1998) -vs- Prefontaine (1997)
- vårdföretag on The Tiersky Top Ten, 2012
Tag Archives: computer
Strange artifacts are left here on Earth beckoning inhabitants to come visit superior beings and/or ancient visitors, requiring a massive undertaking to build and dispatch a mighty state-of-the-art spacecraft on a long, dangerous journey with an A.I. on board to take care of its human crew. Director Stanley Kubrick swung for the fences with this set-up over four decades ago and now it’s Ridley Scott’s turn.
Let’s get one thing out of the way right now — 2001: A Space Odyssey is a true film classic. It deserves its praise, and it deserves to be seen in any good film school program. If you haven’t seen it, you should. Continue reading
Tintin felt like a real missed opportunity.
When you create a world inside a computer, isn’t one of the advantages that you can do things that you can’t do with brick-and-mortar sets and flesh-and-blood actors? Tintin only really comes alive during a couple of gigantic set pieces—a chase through an Arab village, a duel with cargo cranes—that would have been prohibitively expensive to do pre-CGI. The rest of the time, it’s like we’re watching actors wearing too much foundation.
The plot itself is creaky, starting with a ridiculous coincidence, and lurching forward from there. But the real disappointment is that despite the intricate motion-capture used to create them on screen, the characters are all lifeless. What makes Indiana Jones so wonderful is the emotion that Harrison Ford illuminates him with—his delight, when he feels it (his reunion with Marion in Crystal Skull) is glowing and childlike, but most of the time he seems to face the world with something like resigned annoyance (“Snakes. Why’d it have to be snakes?”). It’s that personality that locks us into the character and the movie. Continue reading