The Ides of March (2011) -vs- Primary Colors (1998)

October 11, 2011 Bryce Zabel

The list of more-than-decent films about political campaigns is a short one. Nobody will ever forget Henry Fonda and Cliff Robertson in The Best Man or even The Candidate with the Kennedy-esque Robert Redford. During the Years of Lewinsky, Primary Colors took us into the thinly-disguised 1992 Clinton campaign. Now we have The Ides of March, proudly wearing its cynicism on its sleeve at a time when Obama gets pilloried for being practical. In the most recent films, the candidates have that certain problem we mentioned earlier. (Redford is famously remembered in The Candidate as muttering, after winning, “What do we do now?”, but there’s also a quick moment of a campaign worker leaving his room in the morning earlier in the film.)
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Easy A (2010) -vs- Election (1999)

September 19, 2010 Sherry Coben

Smart women are as rare on film as they are in life. Rarer even. Smart high school girls might be the rarest cinematic species of all. You can count them on your two hands. Cooler and wittier than any real girl in any real high school, they’re who we wish we could have been. The girls who say what we wish we had said. Smart girls who use their smart mouths to get into (and out of) considerable trouble. The adults in these films are unspeakably cool too; perhaps this whole smart high school girl genre is for us grown-up girls (and guys) who revisit our high school hallways every night in our dreams and nightmares, still trying to dot those old i’s and cross those uncrossed t’s, to redress grievances and beat down those bullies that haunt us still.
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