Wyatt Earp (1994) -vs- Tombstone (1993)

June 29, 2011 Bob Nowotny

A 30-second gunfight at the OK Corral in 1881 propelled sometime-lawman Wyatt Earp to legendary status as one of the West’s toughest badges, but it wasn’t until the early days of the Clinton Administration that two films both took aim at each other at high noon to tell the modern version of his story.

Firing the first shot was Tombstone. Then, mere months later, Wyatt Earp rode into movie theaters throughout North America. The decision was split among movie critics and audiences: those who strongly prefered Tombstone and those who strongly maintained that Wyatt Earp was the superior product.

It had been quite some time since Hollywood had cranked out a big budget Western, much less two. The arrival of both these feature films was eagerly anticipated. What had once been among the most popular and durable of all film genres clearly needed a big boost. While both of these films experienced a similarly challenging road from development to the big screen, both were blessed with a solid cast and plenty of pistol-packin’ mayhem. […]

Temple Grandin (2010) -vs- Adam (2009)

February 8, 2010 Sherry Coben

Autism. With the diagnosis on the rise, most of us find ourselves only a few degrees of separation from this little understood condition. Two of Hollywood’s most glamorous young newlyweds spent their first year of marriage exploring the subject in depth. Claire Danes stepped into the mighty big shoes of “Temple Grandin” in HBO’s effective biopic while her husband Hugh Dancy played Hollywood’s first big-screen romantic lead with Asperger’s syndrome in “Adam.” Both films rise well above a berth in the overcrowded “Disease Of The Week” pigeonhole, but let’s see which spouse lands the knockout punch and gets cinematic autism exactly right.
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Bright Star (2009) -vs- Impromptu (1991)

January 26, 2010 Sherry Coben

Ah, consumption. That most romantic and cinematic of slow fades. Think Camille. Two wildly talented love objects with fatally bad lungs compete for this particular smackdown crown. It’s Frederic Chopin versus Bright Star John Keats in a death-baiting battle of ill-fated geniuses, fighting for every breath, playing fast and loose with history, and winning lovely lady hearts as they struggle for ours. I dare you to find two more gorgeous grandees, two saintlier objects of obsession in all filmdom. Go ahead. I’ll wait here.
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