Magic. Now there’s a subject that, over the years, hasn’t gotten a great deal of cinematic attention. Reason being, one surmises, that magic acts need the immediacy of live (or at least taped live) performance to preserve their thrill… and if we’re being honest here, most of them don’t have that much thrill to preserve in the first place. So wouldn’t you know it, after humming along for so many years all but magic-free, in 2006, Hollywood not only coughs up two magic-themed movies within weeks of each other but two turn-of-the-century Europe magic-themed movies. (Now that’s a Smackdown!) […]
Rumpled bureaucrats stand around a cramped room, surrounded by state-of-the-art surveillance equipment, barking orders at the underlings and whispering tensely among themselves as they watch a muscular super-agent and his female companion out-gun, out-run, out-fight and out-think them at every turn.
Where else could we be but Bourne again? (Sorry.)
Yes, that’s right, the lucrative franchise, loosely adapted from Robert Ludlum’s novels, that closed out its initial trilogy with (the now inappropriately titled) Bourne Ultimatum (2006) is back. The hooks for The Bourne Legacy are a mostly new cast, including lead actor, the screenwriter of all four taking over directing chores as well, and that other than the occasional photo, there’s not an actual Bourne in sight. […]
A bank robbery that isn’t really a bank robbery!
A suicide attempt that isn’t really a suicide attempt!
A Jodie Foster performance that isn’t really good!
A movie star who isn’t really an actor!
Yes, nothing is what it seems this week, except that this really is a Smackdown of the new Man on a Ledge and 2006’s Inside Man, two heist movies, each set mostly on one long day in Manhattan, and neither of them are Dog Day Afternoon. Are you kiddin’ me? Fuhgetaboutit. […]