The universe is full of mystery: What is the meaning of life? Why are we here? If God exists, why does He allow evil? And perhaps most perplexing of all, how did not one, but two Hollywood productions in the last five years attract major financing for projects tackling those kinds of questions without linear stories that film critics, not to mention common moviegoers, could understand?
Well, the good Lord works in mysterious ways, and in the case of writer-director Terrence Malick’s The Tree of Life (now in theaters) and The Fountain (2006), written and directed by Darren Aronofsky with help on the story from Ari Handel, we are arguably better off for it.
Reactions are all over the lot on Malick’s latest opus, and so is the film, which examines a Texas family’s extended life and reaches for an emotional link connecting it to all of creation. Aronofsky’s metaphysical missile, on the other hand, describes a parabola between life and death, attempting to shed light on life’s essence through a sort of tag-team narrative, part of which deals with a literal search for — wait for it — the tree of life. […]