- 42 (2013) vs. Remember the Titans (2000)
- Admission (2013) vs. About a Boy (2002)
- Oz the Great and Powerful (2012) vs. The NeverEnding Story (1984)
- Dark Skies (2013) vs. Dark Skies (1996)
- Oscar Wrap-Up 2013
- A Good Day to Die Hard (2013) vs. Indiana Jones and the Last Crusade (1989)
- Oscar Smack-a-thon!
- The Tiersky Top Ten, 2012
- Smackdown Smacks Down the 2013 Oscar Nominees
- Broken City (2013) vs. City Hall (1996)
- Men of Steel (Smackdown’s Superman Smashup)
- Les Miserables (2012) vs. The Fugitive (1993)
- courtney on Brave (2012) -vs- Mulan (1998)
- Elvin Hence on POTC: On Stranger Tides (2011) -vs- POTC: The Curse of the Black Pearl (2003)
- Edward on The Thing (2011) -vs- The Thing (1982)
- » Movie Review – The Grey Fernby Films on Taken 2 (2012) -vs- Taken (2008)
- » Movie Review – Les Misérables Fernby Films on Les Miserables (2012) vs. The Fugitive (1993)
- scottderricksonrocks on The Day The Earth Stood Still (2008) -vs- The Day The Earth Stood Still (1951)
- SciFi lover on The Day The Earth Stood Still (2008) -vs- The Day The Earth Stood Still (1951)
- Edward on The Thing (2011) -vs- The Thing (1982)
- Wesley Martin on The Walking Dead (AMC) -vs- Falling Skies (TNT)
- James on The Rutles: All You Need Is Cash (1978) vs. This Is Spinal Tap (1984)
Category Archives: Awards
Two years ago, the Oscars crossed the line from Annual Guilty Pleasure into Annual Torturous Ritual, and by the look of things last night, that’s where it’s planting its feet. The main issue I raised in this space about last … Continue reading
Have you finalized your picks for the current crop of Oscar hopefuls yet? No? Well, allow us to help you. In this, our second annual Oscar Smackdown, we pit the nominees for Best Picture against each other. We’ve Smacked most … Continue reading
2012 was a year of countless blockbuster disappointments, a handful of sleeper gems, several overhyped critical darlings, some masterful documentaries and foreign films, loads of forgettable dreck, a couple of delightful surprises, and no genuine masterpieces, but a fair amount … Continue reading
Movie Smackdown loves a good old fashioned film fight — it’s something we do every day that Hollywood does once a year during awards season. Who among us can’t appreciate putting some films in a cage and letting them duke it out until there’s only one left standing?
This year there were nine nominations out of a possibility of ten in the “Best Picture” category.
We’ve had most of the nominated “Best Picture” films in the Smack ring already. This offers us the chance, here in this single post, to create a gateway for you to lots of fresh writing, keen observation and (of course) a general lack of respect for authority, cinematic or otherwise. Continue reading
Once upon a time, long before you were born, way back in 1994, a writer-director named Quentin Tarantino made a movie called Pulp Fiction. It was a low-budget, stylish and irreverent thriller so wildly entertaining, energetic and fresh that it became an instant cult classic, was a huge critical and box office success, won Quentin an Oscar for his script (story co-written with Roger Avary), and turned him practically overnight into the biggest celebrity director since Alfred Hitchcock.
The movie was so unconventional in so many ways — unusual length (two hours and forty minutes), non-chronological/episodic/multi-plot structure, long stretches of idle chit-chat, hairpin plot turns, extreme violence sprinkled with laughs, eccentric soundtrack selections — and Tarantino was so amply lauded and rewarded for it that he began to believe he could do no wrong, that he could be either as daring or as lazy as he felt on any given day, and we would continue to bow at his feet. The films that followed over the next two decades were… well, it depends who you ask. There are those who still worshipped at his altar, but many others didn’t quite take to much of it, grew tired of waiting for the old Tarantino to return, and viewed each new release with ever-decreasing expectations. Continue reading
Not quite satisfied with making history as the first female Oscar winner for Best Director with The Hurt Locker (2008), Kathryn Bigelow, working again with screenwriter Mark Boal, is back with Zero Dark Thirty, another topical and suspenseful Middle East adventure that’s already a serious contender for this year’s top Oscars. The new film expands far beyond the modest scope of its predecessor, taking on one of the biggest stories of recent years, the decade-long, multi-country search for 9/11 mastermind Osama bin Laden and how it eventually found closure, a mere 19 months ago (maybe you heard about that part). Continue reading
The body count in Django Unchained — given that it’s a Quentin Tarantino film — is way, way high. The film hits theaters on Christmas Day so we can consider “Peace on Earth” while amping up on slave-era violence. It will likely pack the theaters, Rotten Tomatoes has it with 100% fresh reviews as we write this. We wish we were smart enough to figure out what all of this means about violence in America and what should be done. We are devastated, like everyone else, by what happened in Connecticut, but doubt that a red carpet arrival for Tarantino’s spaghetti-western ultra-violence-fest has much bearing on it. Continue reading
The Smackdown “Two damaged, anti-social people find each other and fall in love” is not exactly an under-utilized premise for movies. The genre is actually pretty extensive, so much so that it would not be entirely inappropriate to wonder how … Continue reading
Life, as they say, is a journey, and that’s never so clear as when watching a life story unfold in the hands of a masterful film director. In Life of Pi, the voyage is both literal and symbolic, as the title character is forced to traverse the high seas under Grimms’ fairy tale-like circumstances that must be seen to be — well, if not believed, then at least experienced at a deep level. At the same time, the young, Indian lead character, a devoted spiritual seeker, undergoes an intense inner journey as well.
Slumdog Millionaire, the multi-Academy Award winning 2008 film, similarly explores a young, Indian’s life journey as he navigates the Dickensian streets of Mumbai, constantly relying on his wiles to survive, while also seeking love and, ultimately, fabulous wealth and the respect he deserves. Continue reading
You’ve heard about all the Kennedy/Lincoln coincidences by now. Some of them are even true. But did you know that Kennedy and Lincoln both have had movies made about pivotal moments in their presidencies? Yeah, I guess you probably did know that. The long list of movie Lincolns includes such notable stars as Henry Fonda, Walter Huston and now, in Steven Spielberg’s new film, Lincoln, Daniel Day-Lewis, while Kennedy has been assayed by, among others, Cliff Robertson, James Franciscus and Bruce Greenwood, who played our youngest President in the true-to-life political thriller, Thirteen Days.
But did you know that I just happened to watch both Lincoln and Thirteen Days in the same week? Continue reading