- 42 (2013) vs. Remember the Titans (2000)
- Admission (2013) vs. About a Boy (2002)
- Oz the Great and Powerful (2012) vs. The NeverEnding Story (1984)
- Dark Skies (2013) vs. Dark Skies (1996)
- Oscar Wrap-Up 2013
- A Good Day to Die Hard (2013) vs. Indiana Jones and the Last Crusade (1989)
- Oscar Smack-a-thon!
- The Tiersky Top Ten, 2012
- Smackdown Smacks Down the 2013 Oscar Nominees
- Broken City (2013) vs. City Hall (1996)
- Men of Steel (Smackdown’s Superman Smashup)
- Les Miserables (2012) vs. The Fugitive (1993)
- baby showers on The Day The Earth Stood Still (2008) -vs- The Day The Earth Stood Still (1951)
- virility ex trial samples on Without Limits (1998) -vs- Prefontaine (1997)
- polo factory store on Wreck-it Ralph (2012) vs. Toy Story (1995)
- courtney on Brave (2012) -vs- Mulan (1998)
- Elvin Hence on POTC: On Stranger Tides (2011) -vs- POTC: The Curse of the Black Pearl (2003)
- All Natural Male Enlargement on Without Limits (1998) -vs- Prefontaine (1997)
- Edward on The Thing (2011) -vs- The Thing (1982)
- http://thoughts.blewblew.com/ on Without Limits (1998) -vs- Prefontaine (1997)
- male enhancement system on Without Limits (1998) -vs- Prefontaine (1997)
- vårdföretag on The Tiersky Top Ten, 2012
Author Archives: Bryce Zabel
Yes, I know, we could have put this operatic soon-to-be blockbuster, Les Miserables, up against any number of period musicals translated to movies, from The King and I to Sound of Music to Moulin Rouge. Or we could have matched it against any of the multitudinous other film adaptations of the Victor Hugo novel or even against the stage musical itself. Someone else with more academic credentials or film school training than we have can dissect those comparisons at another time. (If you can’t wait, there’s always Wikipedia.)
The thing is, as I watched and listened to the sincere musical emoting of the modern Les Miserables at a pre-release screening at the Pacific Design Center theater here in Hollywood, my mind kept trying to focus on the actual story. Namely, the convict Jean Valjean’s flight from the relentless Inspector Javert, who just won’t cut him a break, no matter how many good deeds he’s done or may still do if allowed his freedom. Continue reading
Comedy is a fragile thing, or so say the experts. One of the most delicate components to making someone laugh is the element of surprise. So what happens when the surprise is gone?
That’s the challenge for comedy sequels. The initial setup and the characters living in it have already been exposed to the audience. In order to even generate a sequel, the original had to be pretty widely seen. When the story is set around a family’s home life, filmmakers and audiences have to ask themselves the question that author Thomas Wolfe once famously answered in the negative: Can you go home again? Continue reading
I have seen “The Hobbit: An Unexpected Journey” and at the risk of bringing down the wrath of dwarves, elves, orcs and even Gandalf, I have to say that I prefer our own Robert Anglim’s Smashup version, “Wild Hobbits” (below).
“The Hobbit: An Unexpected Journey” is a brilliantly mounted film that from a production standpoint must have been a terribly complicated thing to accomplish. But it seems to be too much — too many stunts, too much wall-to-wall swelling music, too many hangs from the cliffs, etc. I agree with the Hollywood Reporter’s Todd McCarthy who called the film “a bit of a slog.” Continue reading
Our “Dark Skies” has established itself in the minds of a significant number of science fiction fans as a gripping piece of conspiracy drama set in the world of UFOs and abductions. It anchored NBC’s Saturday night “Thrillogy” concept in the 1996 season premiere and starred Eric Close (“Nashville”) and the late film character actor J.T. Walsh (“Sling Blade”). Its main title design won the Emmy award and its pilot screenplay received a Writers Guild nomination. The Syfy Channel aired the entire series multiple times. Since 2010 there’s been a Facebook page where thousands of fans from many different countries push Sony for a TV revival. Continue reading
I’ve tried to warm up to the motion-capture films Robert Zemeckis has been drawn to recently (Polar Express, Beowulf, Mars Needs Moms) and failed, mainly because it feels as if they have not yet sufficiently warmed up to me. But despite his recent, animated Crapfest from the Uncanny Valley, these two live-action, survival dramas – Flight and Cast Away – are among my favorite films.
When it comes to drama about the human condition, they’re both a cut above. And they have something else in common too: Each tries pretty successfully to create the scariest jet crash ever seen on film, at the time it went before the cameras. Continue reading
The Smackdown People trapped inside the cold steel of big machines. Check. Ticking clocks relentlessly counting down to disaster. Check. Battles of will between A-list actors. Check again. Director Tony Scott must have known he had a good thing in … Continue reading
We’ve know it’s coming all year — a super heavyweight championship — and now it’s finally here in the beat-down heat of summer.
Fresh off the super-fan orgy at San Diego Comic-Con, we have the Sony 3D reboot of The Amazing Spider-Man against the third and final installment of Warner Bros.’ The Dark Knight Rises (July 20).
It’s Ali and Frazier. Well, technically, it’s DC and Marvel and Sony and Warner Bros. Oh, and Batman and Spider-Man.
These two awesome franchises — both successful with critics and hugely so at the box office — mean to fight it out in the cool, air-conditioned movie palaces of our globally warmed summer. Continue reading
What a difference a decade makes. Why, in that period of time, it’s possible to forget you’ve ever seen a specific movie, almost like it never existed.
Well, no, it’s not like that all, of course. Those of us over the age of thirteen do clearly remember the blockbuster films we saw just ten years ago. The question Columbia Pictures seems to be asking with the release of The Amazing Spider-Man is whether or not it matters. Continue reading
Strange artifacts are left here on Earth beckoning inhabitants to come visit superior beings and/or ancient visitors, requiring a massive undertaking to build and dispatch a mighty state-of-the-art spacecraft on a long, dangerous journey with an A.I. on board to take care of its human crew. Director Stanley Kubrick swung for the fences with this set-up over four decades ago and now it’s Ridley Scott’s turn.
Let’s get one thing out of the way right now — 2001: A Space Odyssey is a true film classic. It deserves its praise, and it deserves to be seen in any good film school program. If you haven’t seen it, you should. Continue reading
Can Barnabas suck the blood out of Buffy or can this tough vamp of a fighter slay the hell out of this unchained vampire? While that alone might be enough of a question to guide a Smackdown, this one gets complicated by history.
Dark Shadows, as people over fifty know, began as TV then became a film. Buffy the Vampire Slayer, as people under thirty know, began as a film and became a TV series. The former, in theaters now, is a derivation of its former glory, while the latter is an inspired evolution of its big-screen glory. Continue reading