Bridget Jones's Diary (2001) -vs- When Harry Met Sally... (1989)
The Smackdown. I can’t criticize anyone who’s not struck by the party mood as 2008 lurches to a merciful end. Recession, foreclosures, unemployment. Really, what’s to celebrate, so let’s see how a pair of seasonal movies rise above the gloom. The characters that populate “When Harry Met Sally…” and “Bridget Jones’s Diary” survive the holiday gauntlet with their dignity intact. Both films beat back loneliness and offer inspiration. These days we’re all looking for that recipe. That’s what this Smackdown is all about: Whose New Year’s Eve party do you want to attend?
Director Rob Reiner struck gold “When Harry Met Sally…”
opened in 1989. The package had everything: a smart, Oscar nominated script
from Nora Ephron, and several memorable scenes replayed and parodied over the
years. The performances still hold up. Surrounding this is great music from
both Gershwins, Rodgers and Hart, Rodgers and Hammerstein, Irving Berlin, Benny
Goodman and Duke Ellington.
“Bridget Jones’s Diary” quickly found a worldwide audience in Sharon Maguire’s 2001 feature film directorial debut. Helen Fielding, Andrew Davies and Richard Curtis adapted Fielding’s popular novel about a London woman concerned about love, her career prospects and her weight. Renee Zellweger shows an easy comic touch with a British accent.
Both movies offer much to celebrate; one more than the other.
The Challenger. After another lousy New Year’s Eve, Bridget Jones starts keeping a diary amid high hopes. She wants to drop some weight, cut back on smoking and drink less. Bridget is not very successful there, or in love. She falls for her scoundrel boss, Daniel Cleaver (Hugh Grant), who likes her well enough until a new thrill comes along. Cleaver is charming, predatory, funny and betrayal comes easily for him. Just ask lawyer Mark Darcy (Colin Firth) whose wife ran off with his best man, Daniel Cleaver. Bridget’s parents (Jim Broadbent and Gemma Jones) fitfully try to match her with Darcy. He’s becoming interested in a roundabout way but Bridget is not. She’s too busy with her new job as a TV reporter. It’s not going well until Darcy helps her land the big interview. Bridget is still enthralled by the scraps of attention Cleaver tosses her way. Mark Darcy barely shows his cards: “..What I’m trying to say..very inarticulately.. is that despite appearances I like you. Very much.” Bit by bit Bridget’s eyes are opened to Darcy’s submerged decency and Cleaver’s utter lack of character.
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